  {"id":8936,"date":"2019-07-24T09:45:00","date_gmt":"2019-07-24T07:45:00","guid":{"rendered":"https:\/\/www.wendelgroup.com\/deux-nouvelles-expositions-au-centre-pompidou-metz\/"},"modified":"2021-06-23T16:17:23","modified_gmt":"2021-06-23T14:17:23","slug":"two-new-exhibitions-at-the-centre-pompidou-metz","status":"publish","type":"post","link":"https:\/\/www.wendelgroup.com\/en\/two-new-exhibitions-at-the-centre-pompidou-metz\/","title":{"rendered":"Two new exhibitions at the Centre Pompidou-Metz"},"content":{"rendered":"<div\n    data-observer=\"item\"\n    data-animation-type=\"fade\"\n    class=\"module module-text with-margin-top- no-padding- add-bottom-padding- is-center-\"\n>\n    <div class=\"module-content\">\n        <div class=\"grid\">\n            <div class=\"row r-1\">\n                <div class=\"column-8\">\n                    <div class=\"text-content\">\n                        <p>Take advantage of the summer to see two exhibitions that have been added to the schedule at the Centre Pompidou-Metz<\/p>\n<h2><em>Rebecca Horn. Theater of Metamorphoses<\/em><\/h2>\n<p><img decoding=\"async\" class=\"size-medium wp-image-8056 alignleft\" src=\"https:\/\/wendelgroup.com\/wp-content\/uploads\/2021\/06\/opera-monde-300x201.jpg\" alt=\"\" width=\"300\" height=\"201\" srcset=\"https:\/\/www.wendelgroup.com\/wp-content\/uploads\/2021\/06\/opera-monde-300x201.jpg 300w, https:\/\/www.wendelgroup.com\/wp-content\/uploads\/2021\/06\/opera-monde.jpg 537w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>With <em>Theater of Metamorphoses<\/em>, the Centre Pompidou-Metz presents an exhibition that highlights the rich range of forms of expression used by Rebecca Horn. Considered one of the most extraordinary artists of her generation, Rebecca Horn made the body the preferred material in her work. The exhibition explores the process of metamorphosis, from animist, surrealist and mechanistic perspectives, placing special emphasis on the role of film as a matrix within the German artist\u2019s work, turning her sculptures into a theatrical production.<\/p>\n<p>At the same time, the Tinguely Museum in Basel presents <em>Body Fantasies<\/em>. This exhibition highlights the transformation process, from the augmented bodies to the moving machines that have characterized Rebecca Horn\u2019s work.<\/p>\n<h2><em>Opera as the World. The quest for a total work of art<\/em><\/h2>\n<p>Timed to coincide with the celebration of the 350th anniversary of the Op\u00e9ra National de Paris, <em>Opera as the World<\/em> witnesses the encounter between the visual arts and opera since the beginning of the 20th century. The exhibition proposes a journey into the world of opera through set designs, costumes and scenographic elements. A total art form invoking all senses, opera has also been a forum for expressing social and political demands. Opera as the World attempts to evoke the sensory power and enchantment of opera, to disturb and to dazzle, and shows how opera is ultimately a symbol of freedom, of a shared vision of a new utopia.<\/p>\n<p><img decoding=\"async\" class=\"size-medium wp-image-8054 aligncenter\" src=\"https:\/\/wendelgroup.com\/wp-content\/uploads\/2021\/06\/rebecca-horn-la-douce-prisonniere-300x204.jpg\" alt=\"\" width=\"300\" height=\"204\" srcset=\"https:\/\/www.wendelgroup.com\/wp-content\/uploads\/2021\/06\/rebecca-horn-la-douce-prisonniere-300x204.jpg 300w, https:\/\/www.wendelgroup.com\/wp-content\/uploads\/2021\/06\/rebecca-horn-la-douce-prisonniere.jpg 530w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n\n                    <\/div>\n                <\/div>\n            <\/div>\n        <\/div>\n    <\/div>\n<\/div>\n\n\n<div\n    data-observer=\"item\"\n    data-animation-type=\"fade\"\n    class=\"module module-buttons with-margin-top- no-padding-1 add-bottom-padding-\"\n>\n    <div class=\"module-content\">\n        <div class=\"grid\">\n            <div class=\"row r-1\">\n                <div class=\"column-8\">\n                                            <div class=\"button arrow-button brown\">\n            <a href=\"http:\/\/www.centrepompidou-metz.fr\/\" target=\"_self\">\n            <svg\n    class=\"arrow-right-icon\"\n    xmlns=\"http:\/\/www.w3.org\/2000\/svg\"\n    viewBox=\"0 0 15 16\"\n>\n    <path\n        d=\"M7.375 0l7.601 7.601-7.601 7.602-1.06-1.06 5.89-5.893H0v-1.5h12.003L6.314 1.06 7.375 0z\"\n    \/>\n<\/svg>\n        <span class=\"text\">For more information, please visit the website of the Centre Pompidou-Metz<\/span>\n            <\/a>\n    <\/div>                                    <\/div>\n            <\/div>\n        <\/div>\n    <\/div>\n<\/div>\n\n\n<div\n    data-observer=\"item\"\n    data-animation-type=\"fade\"\n    class=\"module module-text with-margin-top- no-padding- add-bottom-padding-1 is-center-\"\n>\n    <div class=\"module-content\">\n        <div class=\"grid\">\n            <div class=\"row r-1\">\n                <div class=\"column-8\">\n                    <div class=\"text-content\">\n                        <p><span class=\"style-legend\" style=\"font-size: 10pt;\">Legends :\u00a0<\/span><\/p>\n<p><span class=\"style-legend\" style=\"font-size: 10pt;\"><strong><em>Upper image :\u00a0<\/em><\/strong><\/span><br \/>\n<span class=\"style-legend\" style=\"font-size: 10pt;\"><em>Rebecca Horn, Die sanfte Gefangene [La douce prisonni\u00e8re], 1978.\u00a0<\/em><br \/>\n<em>Still from the film Der Eint\u00e4nzer [Le Danseur mondain]<br \/>\nCollection Rebecca Horn<br \/>\n\u00a9 Adagp, Paris, 2019 \u00a9 All rights reserved<\/em><\/span><\/p>\n<p><span class=\"style-legend\" style=\"font-size: 10pt;\"><strong><em>Bottom image :\u00a0<\/em><\/strong><\/span><br \/>\n<span class=\"style-legend\" style=\"font-size: 10pt;\"><em>Die Zaubefl\u00f6te (The Magic Flute), staging, sets and costumes by William Kentridge, Royal Theater of the Mint, Brussels, 2005, with Sumi Jo as the Queen of the Night<br \/>\nPhoto Johan Jacobs\u200b<br \/>\nCourtesy du photographe et de La Monnaie, Bruxelles\u200b<br \/>\n\u00a9 Johan Jacobs \/ th\u00e9\u00e2tre royal de la Monnaie, Bruxelles<br \/>\n\u00a9 William Kentridge, courtesy Marian Goodman Gallery<\/em><\/span><\/p>\n\n                    <\/div>\n                <\/div>\n            <\/div>\n        <\/div>\n    <\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[73],"tags":[40,76],"class_list":["post-8936","post","type-post","status-publish","format-standard","hentry","category-letter-to-shareholders","tag-commitments","tag-patronage"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.wendelgroup.com\/en\/wp-json\/wp\/v2\/posts\/8936","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.wendelgroup.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.wendelgroup.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.wendelgroup.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.wendelgroup.com\/en\/wp-json\/wp\/v2\/comments?post=8936"}],"version-history":[{"count":0,"href":"https:\/\/www.wendelgroup.com\/en\/wp-json\/wp\/v2\/posts\/8936\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.wendelgroup.com\/en\/wp-json\/wp\/v2\/media?parent=8936"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.wendelgroup.com\/en\/wp-json\/wp\/v2\/categories?post=8936"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.wendelgroup.com\/en\/wp-json\/wp\/v2\/tags?post=8936"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}